|Isak Durmic and Kay McStay in February to August|
So tomorrow night is full of anticipation and dread and desire to do it all over again. I've learned some things about why it's difficult to direct your own script. I've learned some things about stage writing that I knew (or should have) but didn't quite exercise in this script. I've learned that rewriting is a great companion on the way and that there are probably really good reasons there are multiple versions of Angels in America produced, at least from Tony Kushner's point of view.
All of which was more than I intended to ramble on about tonight. Tonight, all I really wanted to write about was that the process of rehearsals and working with actors on my own script has been an education---one I may write about more after the show, but definitely one that I will work to put to use as I move to put my long one act, The City, A Desert. If for no other reason, I'm glad I produced February to August before I set seriously to work to get this longer work on its legs.
Thanks to Kay McStay (Patty) and Isak Durmic (Andrew) for giving me this education, and particularly to Dr Thomas Lyttle, who let me crash his directing class's final projects (my play will be presented with student directed one-acts) with my own project.