a performance installation
March 3, 10, & 17, 7:00pm.
The Photobooth on Montrose (on the corner of Westheimer and Montrose)
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I'm writing this short over the noon hour on a Saturday. I'm getting things ready for tonight's rehearsal---yes we're rehearsing on a Saturday evening because this group of performers is just that busy. It's a little shocking that they're not performing tonight. I guess I caught them between gigs.
On the Breath & Bone Facebook page (go "like" us!), under the "About" link, I've said:
Breath & Bone will be a loose
affiliation of creative people who will be artists in their own right,
be affiliated with other performance companies, or have their own
companies; artists will therefore be variously committed to Breath &
Bone, according to the current project in production. Artists who wish
to affiliate primarily with Breath & Bone will be encouraged to seek
out other opportunities as well. In this way, we are all trained and
cross-trained by the whole Houston arts community.
This group of artists exemplifies this ethos to a large extent. Michael Simmonds lists himself as an artist and musician---and he's the participant I know the least about but hope to find out more after we complete this project. We have several dancers and choreographers with Cassandra Shaffer-Permenter, Donna Meadows (both worked with me on Jill Alexander Essbaum's Necropolis during my HopeWerks Residency), and Laura Gutierrez. Shanon Adams is all over the place lately, in dance, performance art, and theater circles (a woman after my own heart, really). Ashley Horn directed me in her dance film Wanderland and and now she's performing as well as making costume pieces for me on ShadowPlace. She's another one of those multi-disciplinary people to whom I gravitate: dancer, choreographer, filmmaker, costumer . . . and she was just this week featured in the Houston Press's 100 Creatives feature. And finally, a big part of ShadowPlace are these rather big fabric screens, which are being made by fiber artist Sari Frey (who has also had a long career in the Houston Grand Opera's chorus).
I hope in our collaboration we all learn from each other and take a little bit of each other to our next project. That's how artmaking is transmitted, it seems to me.
Now, to click "publish" and get on with the tasks at hand for the rehearsal . . . busy busy busy . . .
This is going to be beautiful. I hope you'll join us for it.